look closely enough

Look closely enough at something

It disappears

In its place, formless

A void of what was

What might have been

Look closely enough at something

Stay blind

To the beautiful forms

All around

Step back and look

Listen and see

Be surprised by all that is

Present

Amazing accidents in Life to be found

I don’t know

I often hear the voice ask me

You know the one

What are you doing?

What are you waiting for?

Why haven’t you done it?

Why are you still here?

If I am being honest,

I don’t know.

I don’t know.

I don’t know.

I don’t know.

I JUST AM.

Lavenders in the Breeze

The fragrance of you
In my mind inescapable.
The wind carries you to me,
Lavenders in the breeze.
In an instant transported
Back against your chest
Arms wrapped around
The last time I truly felt
Contentment in who I am.
Left alone, no more lavender,
The dark doubts creep in
Whispering their words once more
You should not be.
But I am.
And I will continue to be
Because one day, once again,
The wind will bring you
Back to me.

The Insult

There are some people, when passed on the street, for whom a single glance seems to be an insult; the photograph then becomes a superinsult, the ultimate insult.

This would define the stature, the physique (and the myth) of the street photographer, the reporter: a bruiser, a brute, someone who can stand up to the insult hurled back at him, heavy and awkward, blind, desensitized.

– Hervé GuibertGhost Image

Ghost Image

It is said that the purpose of a family photograph is to preserve memory, but it creates images that take the place of memory, conceal it, and are a kind of respectable history, unnuanced and interchangeable, passed from one family to the next with the vague hope of leaving a trace for future generations. Not a literary history, but a superficial history.

–  Hervé Guibert

Amusing Ourselves to Death

I came across this quote in a book I was reading recently.

As some psychiatrist once put it, we all build castles in the air. The problems come when we try to live in them.

Neil Postman

While I don’t agree with many of his sentiments in Amusing Ourselves to Death: Public Discourse in the Age of Show Business, I can still appreciate the quote.

Mind’s Eye

When I was a child, I never thought I’d reach twenty-five,
I’d just never felt all that alive.
When I reached the age I’d never thought so,
I will admit for a while – it was touch and go.

Now that age I’ve moved beyond,
To life I’ve grown attached, grown fond.
But sometimes in the deep dark of night,
It can be hard to see the light.

The child once more takes hold,
And I feel like I’ll never know what it’s like to be old.
To be sure, I must admit I don’t want to die,
But, my old self, I’ve never seen in my mind’s eye.

Together, you and me

I can still remember The first day I ever saw you Standing there so Self-assured I filled with such doubt Of who I was And could yet be But you always knew Always could see That part of me I could never set free Until the first day I ever saw you Standing there so Self-assured I was filled with such awe Of who you were And what we could yet be. Together, you and me.